The exhibition at the Art Gallery of the Union of Artists of Turkmenistan has recently been renewed. Around 50 Turkmen artists have presented more than 140 works. The exhibition opens with a display of small-scale sculptures by Maksatmyrat Hojainov. One of the sculptures, “The Rape of Europa,” attracted particular interest from visitors. The work is based on the ancient legend of how the god Zeus assumed the form of a magnificent white bull in order to abduct Princess Europa. This subject has long been one of the most popular themes in world art. Perhaps the finest interpretation of it was created by Valentin Serov, the renowned student of Ilya Repin.
The talented artist Maksatmyrat Hojainov also could not resist the power of this striking legend and created the small-scale sculpture “The Rape of Europa.” Like many other artists, he was captivated by the image of the bull. His depiction is magnificent: powerfully built, full of untamed strength, and exceptionally beautiful. Maksatmyrat chose a pose for the bull that highlights all of these qualities to the greatest advantage.
The image of Princess Europa, however, is interpreted differently. Here, the artist was influenced by the theme of bride kidnapping, which is popular among Turkmen artists. In such scenes, at the height of the dramatic chase, the happiest character often turns out to be the abducted young woman. Judging by the coquettish position of the princess's feet, she too does not seem to object to her abduction.
The remarkable painting “Cockfight” was presented by artist Baydurdy Berdiyev. Three respected yashuly (elders), serving as the jury, watch the contest between two pugnacious roosters. Feathers fly in every direction as the puffed-up rivals fight fiercely to claim the title of champion. Baydurdy painted the work using three subdued colours—blue, grey, and cherry. The restraint of the palette, the calm composure of the yashuly, and the fury of the cockfight create a powerful contrast that encourages visitors to spend a long time contemplating the painting.
An improvised triptych has emerged from the works of two artists. Kamil Veliakhmedov presented the painting “Aunt Jemal.” Despite her advanced age, the heroine never stops working; the artist portrays her spinning yarn. In contrast, Polat Garyyev presents an entirely different image in his painting “Grandmother.” The elderly woman rests her hands on her knees, as if saying, "I have done my share of the work." Nearby hangs another of Garyyev's paintings, “Grandmother Keijan,” in which the elderly heroine, with optimism in her eyes, watches the camels in the livestock yard. Three women of the same age—three different destinies and three different attitudes toward life.
Azat Myradov presented the triptych “Panorama of Ashgabat.” The artist chose a perspective that allows the city, depicted at different times of the day, to impress viewers with its scale and modern appearance.
The exhibition features many other noteworthy works, including “At the Bazaar” by Baydurdy Berdiyev, “Caravan” by Mojek Charyyev, “Pumpkins” by Guwanch Hojaniyazov, “Village Morning” by Shokhrat Berdiyev, and many others.
Visiting the gallery is an excellent way to spend your free time and enjoy vivid impressions of contemporary art. Here, visitors can not only admire the artists' works but also purchase a painting they particularly like.
The Art Gallery is located at 135/1 A. Berdiyev Street. Additional information is available by phone at +993 62 98-08-07.
